WHAT IS OUR PROCESS?

We believe in...

AN ENSEMBLE APPROACH

Each of our performances is the effort of a unique group of collaborators. Not just theatre-makers, but subject experts, responsive audiences, even (we like to think) specific objects and materials. Our flexible working structures aim to catalyse rigorous playfulness. They maintain a safe environment for creative risk and enable nuance in our collective inquiries.

RESEARCH-DRIVEN PRACTICE

Each project is sustained by long periods of study, interviews, field trips, and conversations. We approach thinking as a process rooted in the body, in emotions, in our environment. We aim for destinations we could not have imagined without everyone involved.

TOTAL THEATRE

Our work borrows from a variety of disciplines: dance, painting, architecture, literature, music, sculpture, and ensemble theatre. We seek to develop holistic performance languages, re-interpreting traditional concepts of the stage.

ART HISTORICAL AWARENESS

We study, critique, and respond to the history of art in all its forms. In theatre, the companies Goat Island, Complicité, Cricot 2, and Les Ballets C de la B offer us continual inspiration.

Emballage. Theatre after Kantor.

Ensemble. All together, All at once.

Theatre-Thinking. Thinking with our bodies, Thinking with each other, Thinking with the present.

Using Format